Date
2000Metadata
Show full item record
Teil eines Buches
The Museum’s Discourse on Art
The Museum’s Discourse on Art
The Formation of Curatorial Art History in Turn-of-the-Century Berlin
Abstract
When the Cerman museum curator Max J. Friedländer attempted to describe the field of discourse in which he situated his art criticism, he confronted two different attitudes of art-historical scholarship and associated them with clearly distinct images of professional behavior. There is good reason to assume that Friedländer intended to create the impression of an archetypal metaphor for his audience of 1920. Yet, besides its function as a literary device, the juxtaposition that he offered to his readers referred to a specific experience in contemporary reality. As exemplified by Friedländer's account. the appearance of two different and potentially conflicting discourses on the history of art at the turn of the century was weil registered by contemporaries when reflecting on their position within the cultured public.
Citation
@inbook{doi:10.17170/kobra-202009041731,
author={Joachimides, Alexis},
title={The Museum’s Discourse on Art},
pages={200-219 und 248-252},
publisher={Stanford University Press},
year={2000}
}
0500 Oax
0501 Text $btxt$2rdacontent
0502 Computermedien $bc$2rdacarrier
1100 2000$n2000
1500 1/eng
2050 ##0##http://hdl.handle.net/123456789/11801
3000 Joachimides, Alexis
4000 The Museum’s Discourse on Art / Joachimides, Alexis
4030
4060 Online-Ressource
4085 ##0##=u http://nbn-resolving.de/http://hdl.handle.net/123456789/11801=x R
4204 \$dTeil eines Buches
4170
5550 {{Friedländer, Max J.}}
5550 {{Bode, Wilhelm von}}
5550 {{Museum}}
5550 {{Kunst}}
5550 {{Berlin}}
7136 ##0##http://hdl.handle.net/123456789/11801
<resource xsi:schemaLocation="http://datacite.org/schema/kernel-2.2 http://schema.datacite.org/meta/kernel-2.2/metadata.xsd"> 2020-09-11T11:45:29Z 2020-09-11T11:45:29Z 2000 doi:10.17170/kobra-202009041731 http://hdl.handle.net/123456789/11801 eng Stanford University Press Urheberrechtlich geschützt https://rightsstatements.org/page/InC/1.0/ 700 The Museum’s Discourse on Art Teil eines Buches When the Cerman museum curator Max J. Friedländer attempted to describe the field of discourse in which he situated his art criticism, he confronted two different attitudes of art-historical scholarship and associated them with clearly distinct images of professional behavior. There is good reason to assume that Friedländer intended to create the impression of an archetypal metaphor for his audience of 1920. Yet, besides its function as a literary device, the juxtaposition that he offered to his readers referred to a specific experience in contemporary reality. As exemplified by Friedländer's account. the appearance of two different and potentially conflicting discourses on the history of art at the turn of the century was weil registered by contemporaries when reflecting on their position within the cultured public. open access Joachimides, Alexis Stanford/CA 0-8047-3564-6 Friedländer, Max J. Bode, Wilhelm von Museum Kunst Berlin The Formation of Curatorial Art History in Turn-of-the-Century Berlin publishedVersion Museums and Memory Crane, Susan A. ISBN 0-8047-3564-6 200-219 und 248-252 false </resource>
The following license files are associated with this item:
:Urheberrechtlich geschützt