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Aufsatz
‘Nach und nach müssen wir alles ablehnen’: Hyperbolische Negativität bei Thomas Bernhard
(2021-02-02)
Thomas Bernhard's work abounds in rejections. The impulse of not wanting to participate, of refusing to be complicit, lies at the heart of Bernhard's oeuvre. If this refusal is frequently embedded in discursive or even programmatic strategies, it really seems to undermine its own foundations, the very arguments and justifications put forward to make the refusal possible. Before being directed at a specific object, the refusal appears to stem from a more general disposition to say no. Drawing on Der Keller (1976), the ...